Electric Guitar Multi Effect (G1X FOUR) | 70+ Effects, Amp Modeling, Looper, 68 Rhythm Patterns, Tuner, Battery Powered

Works well with my guitar. Love it

Amazing

It’s 2026 and this pedal is still great, especially if like me you are still learning about signal chains and what goes where before even thinking about building an analog pedal board. Don’t bother with the onboard looper and drum machine, but the effects themselves are fantastic and creating your own patches is a lot of fun. The best priced guitar pedal money can buy.

This pedal makes great sounds but it complex to use. Takes a bit of time to get on with but once you do it's amazing

I love this stupid little thing, though my use-case scenarios are... a little odd. But it is useful in several different situations. So, a few months ago, my lead guitar player gets it in his head that he wants to do this song we wrote in 2016 that has me playing a wah-wah pedal, and it was recorded-- weirdly-- on an old Zoom 606 that had been sitting in a trap case for about 5 years until a few months ago. I actually had just used the 606, for the first time in 10 years, for some fly dates in NYC! It was a bizarre show, in that one of the acts I played with was acoustic, but the other three bands are electric, I can't bring two guitars on the plane, so I brought the old 606 because it has a great "acoustic" patch for electric guitar. Problem solved-- the 606 made my electric sound acoustic enough so that it blended in fine with the 'real' acoustics. But I did notice-- the switches on the 606 were a little dodgy when I was rehearsing to track on the east coast. It got through the shows with no problem, but it's clearly at retirement age. I looked at standalone wah-wah pedals, but they all have tone pots in them, and I know what that means-- the WILL get dusty and go bad sooner than I'd like, and some of them can't even be opened and cleaned. The cheaper multi-effects units have optical or digital pots or something that are less subtle, but more reliable. First, I tried the MOOER GE100, and whoa, what a POS that was-- the switch for the wah-wah turned on and off every time I pressed the pedal, so back it went. Grudgingly, I shelled out an extra $30 for the Zoom... And man, it's SO much easier to use than the old 606! You can SEE which effects are turned on or off, and it's pretty easy to modify a patch on stage-- tap the button to change the display, bring up the individual units, change some of the parameters or remove them from the signal chain, takes no more time than adjusting the tone or drive on a TS9 or whatever. The pedal is also better ergonomically than the one on the 606, though obviously not in the same league as a CryBaby-- I HATE playing wah-wah, by the way-- and the pedal just pivots better, though I can't explain why. Then, we get to the showcase, and this time I'm playing a real acoustic-- but a 3/4 size, because my osteoarthritis has gotten so bad, and the 3/4 is easier to play with Silk and Steel strings-- but being mahogany and a smaller body, and also with the Silk and Steels, it doesn't sound QUITE like a "real" acoustic. So I did something truly demented: I used the "Acoustic" patch on the G1X4 to make the 3/4 mahogany sound... more acoustical. It was FANTASTIC; we did six songs counting sound check, and everyone loved us. I was on the edge of feedback for the whole set, but I got some really wild psychedelic sounds just using the factory presets. Best of all, if the feedback starts to really get out of control, just hit the two pedals simultaneously to engage the tuner, and you're back to a clean signal immediately. Much less disruptive to the set than trying to kill the feedback by turning the volume down or adjusting the tone pots, which will involve more trial and error. It's capable of some of the same zany psychedelic weirdness as the 606, but the audio quality and UI are way better. I don't know that I'd use this for the larger shows I play once or twice a year; even for a compact fly rig, I want a bit more control, a dedicated chorus, phaser, delay, distortion, etc. But the G1X Four is TOTALLY fine for smaller venues. Obviously, it's not gonna have the same sound quality as high-end boutique pedals, but for smaller clubs with beater amps in the backline, really, no one is gonna care. The only thing I noticed: In the effects loop of a BantAmp hybrid, it doesn't play nicely with the solid-state power amp stage if the Gain is set past 9:00. But nothing else seems to, either-- my Mystic Edge and Tube Pilot don't really work in the effects loop either, though the G1X four sounds a bit worse than they do in that particular configuration. My guess is for that particular hybrid, with a tube in the preamp and a solid state power amp, I should keep dirt pedals and overdrives in the input part of the signal chain anyway. So it may not even be the pedal. And could be a non-issue for a full-on tube amp. Highly recommended. Didn't even buy it on sale, but if it were lost or stolen, I'd buy it again.

The array of cabs, sounds and effects is awesome. The looper is great and simple to use. The only downside is the drum machine doesn’t stop in loop mode when you stop the playback. The drum machine itself is fantastic and very easy to select BPM and patterns (also sounds great through the PA)

As a dedicated guitarist, I've been on a quest to find the perfect multi-effects processor for my rig, and I can confidently say that the Zoom G1X Four has exceeded my wildest expectations. This little powerhouse is an absolute game-changer! First and foremost, the sound quality is outstanding. The array of effects, amp models, and cab simulations are incredibly diverse and sound remarkably authentic. Whether you're chasing the warm tones of vintage classics or the edgy sounds of modern rock, this pedal has you covered. The built-in expression pedal is a fantastic addition, allowing you to add a whole new layer of dynamics and creativity to your playing. The ease of use is another standout feature. The interface is intuitive, making it a breeze to navigate through the different effects and tweak parameters on the fly. You can also save and organize your presets, which is a huge time-saver for gigging musicians like me. Plus, the stompbox-style design is sturdy and built to withstand the rigors of the road. One of the things I love most about the Zoom G1X Four is its versatility. Whether you're a beginner looking to experiment with different sounds or a seasoned pro in need of a compact, reliable multi-effects unit, this pedal is a perfect fit. It can be used for practice, recording, or live performances – and it excels in every scenario. The price point of the Zoom G1X Four is also hard to beat. You get an incredible range of effects and features for a fraction of the cost of some other multi-effects processors on the market. It's a fantastic value for the money. In conclusion, if you're a guitarist looking to elevate your playing and expand your sonic horizons, the Zoom G1X Four Multi-effects Processor with Expression Pedal is an absolute must-have. It's reliable, versatile, and delivers top-notch sound quality. Trust me; this pedal will breathe new life into your music. I couldn't be happier with my purchase, and I highly recommend it to fellow guitarists. Rock on! 🎸🤘

Recebido como o esperado, gostei do produto. Uma pena a pedaleira ser de gerações antigas e não ter IR’s

For the price this little box is BIG on quality features. Great drum patches, awesome guitar effects and lots of them..and you can loop on this thing too!!! Most impressive especially for the price..if your thinking about purchasing this… buy it …it’s a winner