Natalie Prass is the kind of artist Spacebomb was created for-a songwriter's songwriter and performer's performer blessed with a golden voice and universal appeal-a singer who understands the vision and brings an undeniable talent to the process. She's a joy for any listener to discover-a lover and a fighter and old-soul trader in genuine energy, aiming straight for the heart. Prass turns a sly eye to the pageantry of emotion, the drama of love and the mysteries of everyday life with a disarming mixture of sincerity and cosmic insolence, unapologetically romantic, spinning golden threads of lyric and melody, each inflection and melisma planned and considered, each word tailored for meaning and effect-the pop gesture as artform. She delivers it all with carefree charm and nearly divine intuition. Her voice, at times so ethereal, is shot through by strength and sinew and just a hint of transient grit. The feeling is soft, but it cuts so deep, leaving any listener with a trace of a soul, thunderstruck and enchanted.
D**E
Gorgeous and addictive first album that holds the listener's interest throughout.
I first heard "Bird of Prey" playing in a White Stuff store and used Shazam to identify it on my phone. It is a crazy catchy sound that I couldn't get out of my head the rest of that day. As soon as I got back home I ordered the record (LP).This album, which Natalie began writing in 2009, is beautifully produced by Matthew E. White and Trey Pollard, with superb musicianship, infectious (sometimes wonderfully retro) melodies and arrangements, and above all Natalie's wonderful vocals and highly original, insightful lyrics.There's more than enough style variation between tracks to hold the listener's interest throughout, without being allowed to feel that this is anything less than a "proper album," with thought given to running order and flow. Each time I've put the album on the platter, I've played it right through - both sides. It just works.The lyrical themes of the nine tracks are bitter-sweet and relationship-focused, but Prass's biggest problem is her utterly charming voice and intimate style; she has the kind of voice that will generate crushes, so you may find it hard to believe she's ever been hurt by anyone, ever, and, if she has, what a loser they must have been! But the songs also manage to convey honesty in spades, so that the impression is of songs which are autobiographical in origin. That aspect reminds me of the Queen of Insight, Joni Mitchell, and who is to say that Natalie Prass might not enjoy similar longevity and recognition? On the basis of this self-titled album, I will certainly be ordering a first pressing of the follow-up. I only hope I won't have to wait too long.VINYL OPINIONAs I am reviewing the vinyl version, my copy is an acoustically clean, good quality pressing. Run-in/out and inter-track noise is non-existent. Dynamics are generally good, especially considering the range of Natalie's vocals and her frequent 'close-to-the-microphone' breathiness. It's nicely presented, though not ostentatious, in a single (not gatefold) glossy outer sleeve. Lyrics are included, as is a download voucher to install the album on a computer, if that's your thing (it's not mine - I'm too much of a vinyl fan for that).SUMMARYAn intimate and highly original first album, six years in the making, beautifully performed, produced, engineered and neatly packaged. I'll buy her next album for sure. I hope it will be out soon, because I'm keen to see where Natalie Prass is heading next.
J**W
Great voice, great price
Natalie Prass' debut album features 9 beautiful songs either written or co-written by the singer.If you're a fan of Matthew E. White you're in luck: he's produced this album by his old schoolfriend, lending it the pure, lush sound he favours.Highlights include My Baby Don't Understand Me, Why Don't You Believe in Me, Violently, and It Is You.£7.49 is a more than fair price for a great album.
A**R
Sounds like a long lost 70s classic
Sounds like a long lost 70s classic, from the days when albums were recorded on big budgets in expensive studios with lots of session players providing lush arrangements.
D**G
... cd - she's one to look out for - great backing band - shame there are no sleeve notes ...
fab cd - she's one to look out for - great backing band - shame there are no sleeve notes telling us about ms Prass !
P**O
Lovely, slow burner.
Slow burner. Grows on you. Introspective songwriting and production values to match. Very enjoyable.
E**.
Mesmerising
Love it. It gets better with every play.
J**T
A GROWER
At first i found her voice rather grating but the songs are finely crafted, delicate and lovely and the arrangements completely beautiful. now i can't stop listening to this album.
K**S
Five Stars
A really nice and quirky album. The last track is brilliant.
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