Sony SEL20F28 Camera Lense

最小最軽量なので、ZV-E10に付けっぱなしになりました。画角も良き

良好です

フルサイズで使用する予定で購入しました。APS−Cなので画質面は期待していませんでしたが、やはり軽くて小さいパンケーキレンズは使い勝手が良いですね。諸々割り切って使えば良いレンズだと思います。そしてSonyさんに「もうそろそろフルサイズのパンケーキレンズを発売して欲しい」と切に願います。結構需要あると思いますけどね〜

同じパンケーキレンズE16mmF2.8はどうしようもない〇ソレンズでも、これは買いですわ！描写性能、発色に優れている。

SONYのアルファーシリーズにぴったり、スナップショットには単焦点レンズが欲しいと思い購入しました。目で見た感じをそのままに取ってくれるので大変気に入っています。

やはりF2.8の明るいレンズの為、ボケ味が優秀。パンケーキらしい小型軽量で、16-50mmのパンケーキズームとは、一線を画す画質の良さ。 ある程度絞ると、シャープな絵が撮れるので、これと18-200mmの望遠ズームの2本で運用できる。 カメラはα6400であるが、相性も抜群である。 総合評価：★★★★★

軽いコンパクトなレンズで持ち運びが容易、室内でも使えるので一番稼働率が高い、16mmでは広角過ぎたので買い直しました。

価格の割に写りも良く、寄れる使い勝手のいいレンズです。単焦点でもさっと撮せるAFはありがたい。

Great pancake for Sony apes-c cameras.

Una imagen dice más que mil palabras...

Oh, wow, this lens is so much better than the 16mm (SEL-16F28). I know because I used to have the 16mm but sold it after getting this one. The 20mm is much sharper, better built, with a nice and versatile field of view. It also takes the two adapters sold for the 16mm (the wide-angle which I had for the 16mm makes this 20mm a 15mm; and the fish-eye which I don't yet have but intend to buy). In case anyone's interested, I own a NEX-6 and an A6000. I have most of the "reasonably priced" Sony E-mount lenses: the 20mm with the wide angle adapter; the 30mm Macro (a nice lens if you can get one for a good price), the 35mm prime (one of my favorite lenses for its field of view and its sharp, high-quality images); the 50mm prime (a nice lens, especially for portraits with good bokeh); the 16-50mm PZ kit lens (which I take along with the 20mm when I want to travel very light but still have a bit of a zoom on hand because it takes good, but not great, pictures as you can see clearly see once you've tried the primes); the 55-210 manual zoom (great range, nice and sharp shots, fairly bulky, but I got it for only $150 so can't complain) and the 18-105 PZ "G" lens (which is a superb carry-around lens if you don't mind its relative bulk--it's long and wide, but not too heavy). I've also tried the Sigma lenses (19 and 30mm) but thought, "These would be OK if they weren't so cheaply made (scratch easily) and so bulky and if they had OSS." So I returned them in spite of their low prices. I've also tried for a weekend, but decided not to buy, the Sony 10-18 and 16-70 zooms and the Zeiss Touit 32mm. These are built with high-quality materials and take great shots but they are way too expensive, in my opinion at least, for the relative increase in image quality over the much less expensive lenses. I'm sure somebody out there will want to quote image tests and pixel peeping comparisons to debate my opinion about this 20mm lens and/or the pricy Zeiss lenses, but my thinking is simply that this "mirrorless" line of medium-format cameras doesn't really need lenses that cost so much. I admit there is a small market for those lenses; they are priced for folks who are willing to spend 2-3 times the money for "something a bit better" (that's how Sony makes back the investment in building lenses that relatively few people will buy). If you really want to step up, I suggest that you skip the APS-C line altogether and buy one of the newest full-frame "A7" camera bodies and any one of the pricey full-frame lenses available for it. With 4 times the money invested, you can see some better images (all else being equal). But switching from APS-C to full-frame means you're not in the same ballpark at all, to use a worn expression. I can say all this with confidence because photography is a hobby for me, not a profession. I'm not taking pictures for National Geographic (I'd love to imagine doing so with my A6000 and one of my pedestrian lenses, but I am not a delusional man). What I am is happy with two Sony APS-C cameras I own. I make use of, and accommodate for, their relative merits. The broad collection of E-mount lenses I have covers most every situation I am likely to get into as a hobbyist. Even better, I bought all my lenses for about 60 cents on the dollar (another hobby of mine is being a bargain hunter). If you're the kind of photographer that I am, then you'll want to know that this SEL-20F28 lens is a very nice lens to have. I bought it as a "new but sold as refurb" here on Amazon for about 40% off its list. For that kind of money, it really shines as a small, versatile lens (i.e., close-up shots and landscape shots are both very good). It's smaller and faster and sharper than the kit zoom; it also costs much more than the kit zoom. I will add that my 18-105 "G" lens takes a noticeably better (sharper, better contrast, less aberrations) picture set at 20mm than this prime does, but then the zoom is only f4.0 (minimum through its range) whereas the prime is f2.8 and it's 1/10th the size. That's why I have both in my lens bag. I hope this long ramble helps someone decide whether or not to buy this lens. If not, hey, reading it was free. Peace.

I used this for my vacation to the UK and it was great for carting around - light weight and easy to store away. Great for street scapes and landscape vista shots. I didn't have too many occasions to use it in low light conditions but it worked fine in the British Museum, for example. Not a high end prime, but then again not priced like one either.

An excellent lens and very compact. Also a reasonable price, not inflated like the Zeiss line. However, careful comparison with the Zeiss 16-70 zoom set to 20 mm shows that the image quality between the two is about the same - there is no big optical advantage for fixed focal length. So buy the 20 mm for compactness. If you are not concerned with size or cost, the Zeiss zoom is equally good optically, has image stabilization which makes it much sharper in practice, and of course more flexibility.