Fretboard Logic III Applications: Creative and Analytical

I learned to play guitar through memorization of chords and patterns in the early 70s. Got married and sold the guitars for furniture. Sad story with a happy ending; I am back learning the correct way and have found the entire series to be incredibly helpful for someone without formal music training. Fretboard Logic has opened up new ways for me to appreciate the talent of others as well as for my own enjoyment.

An excellent book for learning the guitar on your own and a useful reference. This volume complements the first two in the series.

Great book for anyone who is serious about learning the guitar. This book will give you a the essential methods required to evolve your guitar knowledge from what you already know. check it out!

Containing a load of chord progressions and theory it makes for a very thick book. The only sections in the book that can be of use to most guitarists is the specific styles section, and the section that is used to build up your dexterity on the fretboard. The other stuff is complicated and imo unnesscesary theory. As another reviewer put it, it may not be worth your time. I reccomend instead finding a book by Troy Stetina that goes into the style of rock or blues you wish to play.

This is a fantastic follow up to Fretboard Logic I and II. Matt Becker Morgan Stanley

Whatever it is, the writing style, the information, the timing??, I'm finally getting that light bulb to go on regarding the fretboard. Now, it's up to me to put it to good use and practice, but the information is what I've been lacking from other sources - even personal one-on-one lessons.

Great book and system for guitar.

disappointed with a skim through this book. I wouldn't have bought it had I been able to do this at a book store...So far, this book just seems to be filled with all of the 'bits' of musical information I already have in the hundred other guitar books I already have. Notation formats and Italian musical terms can be found anywhere. Articulation techniques with tablature and notation are available in nearly any guitar magazine.... I already know what a 'tap-slide' is and how it's marked up.On top of all that, there is quite of bit of musical reading required even though backed up by tabs. I bought this book on the strength of the first two books which at least had a 'different' point of view. I don't see one diagram that refers to the 'lead patterns' of the first book.I would return this book but I couldn't be bothered with the pain and expense of a return postage from Australia.