Germany released, PAL/Region 2 DVD: LANGUAGES: English ( Dolby Digital Stereo ), German ( Dolby Digital 5.1 ), ANAMORPHIC WIDESCREEN (1.78:1), SPECIAL FEATURES: Anamorphic Widescreen, Biographies, Commentary, Interactive Menu, Photo Gallery, Scene Access, Trailer(s), SYNOPSIS: In the Nineteenth Century, in Bahia, the bandit Francisco Manoel da Silva aka Cobra Verde is feared and respected by the locals. He is hired by the lord Octavio Coutinho to work as henchman in one of his plantations of sugar cane, supervising the slaves and the production of sugar. When the three daughters of Octavio are pregnant of Cobra Verde, he is sent to Almeria, in the West of Africa, to negotiate slaves with the crazy African King Abomey, in times when this trade was prohibited by Great Britain. The loneliness associated to the fact of being the only white man in Almeria drives Cobra Verde to insanity. ...Cobra Verde (1987)
J**E
Weird
This was sent as a gift with Bruce Chatwin's book 'the Sultan of Ouidja'. Its worth watching for the final scene of the young girls dancing. As usual Werner Herzog is amazing.
A**R
Three Stars
ok
S**L
Another Herzog Kinski gem
This is one of Herzogs best films. Kinski is superb...ruthless, calculating, over-sexed, violent....normal Kinski.A disturbing story set in the exploitative world of the19th century slave trade of Brazil and Africa.
J**D
Five Stars
great movie and commentry
B**R
Good service, pleased with the product
Good service ,pleased with the product .
A**R
A few things you should know about 'Cobra Verde'
This is a haunting film about slavery (based loosely on a Bruce Chatwin novel), but unlike other films on the topic it doesn't actually denounce slavery, working instead within the mental framework of the 19th century. Not a 'politically correct' approach, of course, as director Herzog cheerfully acknowledges, but an historically faithful one.Herzog is concerned with authenticity when portraying African cultures, and this may be one of the most realistic depictions of colonial Africa ever committed to film. Interestingly, the actor who plays the King of Dahomey is a real African tribal king.Klaus Kinski plays the title role with a crazed intensity which according to Herzog mirrors the fact that he was slipping over the edge in real life. Kinski's character Cobra Verde longs "to go forth from here to another world", but in fact he is already in another world - Herzog's camera captures the sense of strangeness and mystery in each landscape the film passes through.In many ways 'Cobra Verde' is like an extended dreamscape, hyponotic yet full of surprising juxtapositions. While not Herzog's most coherent film, in terms of stylised cinematography it ranks up there with his best. It is a work of art that demands attentive viewing.Contrary to the myth that whites are responsible for the African slave trade, the film also acknowledges the historical reality that slavery was practiced extensively by Arabs and Africans (not that whites didn't actively participate in it, of course). Herzog discusses some of these issues in the director's commentary track, which is interesting in its own right.
M**F
Not their finest Hour
I Absolutely adore both Kinski and Herzog but this is not their finest Hour.It just does not Gel with the Teams usual Style and its whole "Obsessed Soldier of Fortune/Everyman" appeal is tepid this time round. Still has its moment because Herzog directs with Style and Kinski is....well He's Kinski.
G**R
Essay Excerpt on Cobra Verde
In Cobra Verde (1989) we once again find the lone male 'hero' on a journey to a different landscape. As the title character played by Klaus Kinski states: "But I long to go forth from here to another world". Herzog, in the voiceover commentary of the DVD of Cobra Verde, acknowledges that the main character is "driven to other horizons, to something larger than his own existence" even though he is aware of the plot to kill him. Cobra Verde speaks of his desire to travel east to the sea and ends up fulfilling this desire. Irony again plays a part in this film as we see the grandiose Napoleon-like figure of Cobra Verde coming ashore on a tiny craft. By the end of the film however Cobra Verde cannot escape from his original desired destination: needlessly panicked by the slow approach of a deformed native, he exhausts himself in his attempt to float his vessel. The man who provoked fear in thousands of people is now driven to death by his own fear.
Trustpilot
5 days ago
3 weeks ago