Fender Hammertone Chorus

Well made ,very sturdy pedal. The knobs have a nice resistance so are easier to control. Sound quality is good but you may need to remove the base and gently tweak the two trim pots inside , which is why they put them there. Its fun to experiment with them until you get the sound to your liking ,you only need to make small adjustments and don't back them off too much or the delay responce will become sluggish .The base is held by one captive screw so you won't lose it . I'm very happy with this pedal .

Great delay pedal. I'm using just a simple slap-back delay, but it's capable of way more. Digital and 2 analogue modes and a true signal by-pass, it has a really high quality sound in a very sturdy case. Only complaint is that it doesn't take batteries, mains power only, but overall a great delay pedal.

Love the build. Love the style.. Tons of sounds to explore. Takes time to explore, but nice an easy controls... I consider it to be a luxury pedal.. it's not yre usual delay, does much more.. perfect size for your PB... Super pedal, but like I say... it's what I consider, a luxury pedal. Unless your looking for that early Floyd sound, it's not a must for your board, unlike a decent Analogue or digital delay and reverb. But if you have the space.... Great fun... must be run at a minimum 500 Ma.

This is a quality flanger. Great sounds, simple to use , rock solid.

Fantastic present for grandson, ideal for his guitar lessons and very worthwhile in enhancing his development

Arrived quickly and good quality product

Really good chorus. Best one ive heard, controls give great expression, and it just looks really cool. The light for when it is on is not overly bright like some. The tone switch is really good. I use the darker mode for more frusciante style sounds and the brighter one for a more johnny marr type sound. If you are thinking of getting it, just get it! Really good price.

This is a great piece of kit. Everything from jet engine roar to subtle chorus-like shimmers. Works well with guitar, bass, synth and drum machine. If you want to experiment with a flanger, grab one. Now!!

普通のディレイとしても使えますが、ディレイ音を揺らすモードもあるので、強めにかけるとディレイなのにコーラスっぽい音も出せたりします。コントロールノブはフェンダーのアンプみたいで見た目もカッコいいと思いました。価格もお手頃でいいですね。同じHammertoneシリーズで他のエフェクターも買い足したいと思いました。ひとつ気になったのが、コーラスとフランジャーがあるのにフェイザーがないことです。フェイザーの方がフランジャーより定番エフェクトだと思うので、今後フェイザーも販売して欲しいです。

Absolutely love it

I thought it would sound more vintage tubey like, my Tube screamer (Behringer clone) and Bad Monkey sound better.

Buon pedale

The Hammertone series from Fender seems to be a bit divisive amongst pedal enthusiasts. Some people seem to dismiss them as re-branded imports, while others appreciate the relatively low price point and interesting control options. My impressions of the Hammertone Fuzz are mostly positive. I would describe it more of what you'd imagine a vintage 60's or 70's type of fuzz from a Tone Bender or Fuzz Face sounds like. It is NOT a super-heavy, saturated fuzz like a Big Muff, and I understood that going in. You get knobs for volume, tone, and fuzz, plus a mod switch that adds an octave effect (more on that in a minute). In terms of the aesthetics/build, it's not my favorite design. The hammered gray finish is okay, but the "FUZZ" lettering is sort of lazy and uninspired. Some people find the knobs difficult to use, but I appreciate that they evoke Fender amps and are something different. Also, each pedal in the series has a different LED color (Fuzz is purple), which is a nice touch if you have more than one of them. I probably would be giving a four-star review, but for two factors that push this one into more "recommendable" territory. First, the pedal changes character dramatically at different gain ranges. On lower gain settings, it's wooly and almost drive-like. Once the gain gets to about 7 or higher, the fuzz effect becomes more "splatty" and gated. It's a very responsive and fun type of fuzz to play, even if it's far from the only fuzz pedal to behave this way. (The DOD Carcosa I already have arguably covers the same territory and a lot more). But it is interesting that you can make the fuzz gate out simply by turning up the gain, even though the pedal does not have a bias control. Second, Fender included an internal trim pot that is like a second tone control affecting high frequencies. I will probably experiment with this a bit - the pedal is arguably just a little too dark out of the box. But it's a nice touch to see that additional functionality included in a sub-$100 pedal. All that being said, the Octave function was a slight disappointment for me. It sounded okay in demos, but once I actually plugged the pedal in, I found it to be a lot more subtle than I expected. It certainly isn't like a Blue Box or Octavia where the octave is up-front and prominent in the sound. It seems to stand out more in the lower-gain, brighter settings, and disappears a bit when you have it set to do a gated fuzz. I think this a very good fuzz pedal. It's not a "must-own" fuzz, and it certainly isn't "discovering new lands" with the sonic territory it explores. But at this price point, and for the sounds it offers, I cannot find much fault with it. And the thing about fuzz pedals is that people who are into fuzzes...tend to own more than one. It's worth a look if you're looking to a vintage-style fuzz and something different than a doom-and-gloom Big Muff.